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Soledad and Miguel are two young people in a romantic relationship. Don Ramón, a wealthy stranger, arrives in their small town and marries Soledad. Miguel leaves town and wanders aimlessly throughout the region with a peddler.
A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
Three directors collaborated on the Italian documentary Continente Perduto. The "lost continent" of the title is Asia, specifically Indonesia, here lovingly photographed in Ferraniacolor by Mario Craveri, Giannni Rafaldi and Franco Bernetti. Highlights include a Cantonese wedding aboard a floating junk, the annual wheat and rice harvest, the animal-sacrifice rites at the rim of a volcano, a ceremonial chariot race, and a bevy of Balinese dancers. Though there's no story to speak of, the film has the rhythm and pace of a "continuity" picture. Continente Perduto was the winner of a Special Jury Prize at the Cannes Film Festival.
A short Italian film from Luciano Emmer & Enrico Gras using paintings to tell a story of warriors.
Tells the story of the Chief of the Orientals from a few elements: paintings, monuments and proclamations, managing in many passages to create a strong sense of movement and reality.
The first art film by Emmer and Gras dedicated to Giotto's frescos in the Scrovegni Chapel in Padua. By capturing the humanity of the figures that populate the story of the life of Jesus, the two Directors treat the series of paintings like a true canvas, isolating the single scenes from the context of the work, and then re-composing them in a new synthesis. The film was re-edited in 1946 and entitled Il dramma di Cristo.
Five Italian journalists live the last hours of the Hungarian Revolution of 1956.
Colorful widescreen travelogue along the Amazon River jungle of Peru, featuring an indigenous village carnival and a snake dance.
A documentary on the paintings of Gerolamo Bosch.
A text read by the narrator traces the vicissitudes of the crucifixion of Jesus, while the objective of the two directors investigates the style of Piero della Francesca by exploring his frescoes in the Arezzo church of San Francesco.