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"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.
This performance by Gilberto Gil was recorded live at Estúdio Frame in São Paulo on January 18, 1994, as part of the MTV Unplugged series. It was originally broadcast on MTV later that year and released in 1994 on CD, LP and cassette. In 2001, the concert was also issued on home video DVD. The set featured songs such as "A novidade", "Drão", "Expresso 2222", "Aquele abraço", "Palco" and "Tempo Rei". Gil (vocals and acoustic guitar) was accompanied by Arthur Maia (acoustic bass guitar and double bass), Jorginho Gomes (drums and mandolin), Celso Fonseca (acoustic guitar), Marcos Suzano (percussion) and Lucas Santtana (flute).
The Kaiowa and Guarani Nation, oblivious to Law and Justice, reveals the testimonial narrative of the indigenous genocide underway in the state of Mato Grosso do Sul.
Davi Kopenawa, a Yanomami shaman and one of Brazil’s leading Indigenous voices, confronts the threat of large mining companies encroaching on his Amazon territory. We follow him on a journey to Brumadinho, where he encounters the aftermath of the Brumadinho dam disaster. Between the earthly and the spiritual realms, his path intersects with the maxita watimapë—the “earth eaters” — and leads him to reunite with his longtime ally Ailton Krenak.
DESCARTE is a documentary by Leonardo Brant about the social drama of garbage, presented based on inspiring stories from artists, designers, artisans and activists who creatively and sensitively reuse objects. With the technology available in the world today, it is already possible to live without generating waste. DESCARTE is a call for this cultural change. It encompasses educational action and a series of contents created to stimulate the search for more sustainable paths for the planet's solid waste.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.