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According to Winnie-the-Pooh himself, bears love honey very much. That's why it always runs out very quickly. And you can't do without honey, so Winnie, along with Piglet, sets off for a tall tree with a beehive hanging from it. Winnie fearlessly climbs up to the beehive on a balloon, singing a song about a little cloud.
Award winning animated short film by Fyodor Khitruk.
Another Soviet Winnie-the-Pooh story. This time the donkey, known from the Pooh stories as Eeyore, is sad because he has no tail. Pooh goes in search of one and finds it attached to a bell that hangs from the treehouse of one Owl.
The trials and tribulations of putting a feature film together.
A circus lion goes on holiday to Africa, but his circus skills doesn't let him be. Based on the tale of the Czech writer Milos Macourek "Boniface and his nephews»
The second of the Soviet Winnie-the-Pooh series. This one had Pooh and Piglet visiting Rabbit for a meal with honey.
A castaway is interrogated by Interpol, conquered by an imperialist ship, loses his lone palm tree to greedy loggers, is consoled by a missionary who promptly abandons him, is thoroughly examined by scientists, and harassed by journalists.
Volume 3 (1979-1985): "Tale of Tales", "Hunt", "Cabaret", "Last Hunt", "There Was a Dog", "Travels of an Ant", "Lion and Bull", "Wolf and Calf", "Old Stair", "King's Sandwich", "About Sidorov Vova".
The story about an everyman who one morning suddenly leaps out on the courtyard and bludgeons two conversing housewives to death with a frying pan.
This is a somewhat ironic, but very informative story about the origin, development and decline of the Greek Olympiad tradition, set out with the help of an off-screen commentary read by Z. Gerdt. Ancient history is described in great detail and exciting. In the graphic decision, artists were guided by the ancient Greek monuments, first of all - vase paintings, stylized for them and characters, and decorations, up to imitation cracks. In the film there are a lot of full-scale shots, and in particular it is interesting to frame the photographs of the bas-reliefs of the Pergamon altar shot by Yuriy Norshtein. The film ends with documentary shots of the opening of the Olympics-80 in Moscow.