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40 Minutes was a BBC TV documentary strand broadcast on BBC Two between 1981 and 1994. The documentaries could be on any possible subject, the only connection being that they last forty minutes. Some documentaries in the original series were revisited and updated in a 2006 version, Forty Minutes On.
While on vacation at a resort hotel in the West Indies, Miss Marple correctly suspects that the apparently natural death of a retired British major is actually the work of a murderer planning yet another killing.
A London radio DJ receives news of his brother's suicide and travels west to Bristol to find out more.
A film essay montage of contemporary footage, archive and cinema history, about the age of post-truth and how one young man’s childhood epilepsy became representative of the woes of the world and how he triumphed against adversity.
An American in West Berlin finds himself caught up in murder and intrigue after his associate is killed and a diplomat's daughter is found dead in his room.
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.
‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.
A young woman enacts an imaginative revenge on her boyfriend for playing away. Director Chris Petit made this three-minute short to test a new super 16mm Kodak film stock to be used on Peter Greenaway’s upcoming feature The Draughtsman’s Contract.
A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.