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One night, an actor prepares to go on stage while a museum guard makes her rounds. The two gradually immerse themselves in these dormant institutions, on the fringes of shows and exhibitions.
A black screen. A bottle breaks on the bitumen. A few insults are flung. The decor of an industrial area, first thing in the morning, after a busy night. Three friends “find” a vehicle and climb in for a journey with no clear aim. Except for one of them, troubled by the guilt of having cheated on Alba, who is arriving the next evening. Someone told him about a cross, painted on a cliff over the Genevan countryside, which is supposed to reconcile those who reach it with their innermost selves. Beyond a mystic, post-drinking delirium, the strapping lad believes that the climb to the summit will help him find the courage to talk to his girlfriend.
A permission, an eternal return, it is in this suspended context, out of space and time, that the gathering of three young men happens, under the bright and suffocating lights of the bank district and the luxury boutiques of the city of Geneva, a symbol of a cold and radical social cleavage. Between masculinity, violence and ethic, everything seems to be made in order for the friends to deconstruct the universe, alone, at the top of the world.
A highly secure conference centre, nestled in the mountains. Hugo Radi combines a creative way of filming this locus of power with two fictional voice-over accounts to construct a dystopian world with real contours. This speculative film seems to draw inspiration from the most frightening elements of our contemporary societies.
A Texas Ranger is recruited by British Intelligence to track down a dangerous terrorist and stop him from attacking London.
Set in a 19th century village, a young man studying under a local doctor joins a team of hunters on the trail of a wolf-like creature.
Mercenaries seize control of a remote resort hotel during a wedding and it's up to the best man, the groom and their drunken best friend to stop the terrorists and save the hostages.
A nurse is forced to spring a wounded murder suspect from the hospital when the man’s brother kidnaps his pregnant wife and wants to make a trade.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.
A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.