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A series of strange, inexplicable, and increasingly frightening events takes place in Mosby Manor.
Hello, Mabel (also known as On a Busy Wire) is a 1914 American short silent comedy film directed by Mack Sennett.
In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.
A constable and his sergeant are rivals for a girl, and to impress her they both attempt to apprehend an escaped convict. Probably the first Keystone film with comedic cops; Keystone trade ads upon its release heralded as, "An uproarious 'Cop' picture."
A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.
This film is a compilation, with narration by Steve Allen, of comedies from the old Mack Sennett silent studio. Sennett, himself, appears in a cameo at the end of the film.
This early Keystone has Pete spying on his neighbor's wife through one of those little knotholes in a fence. The neighbor (Sterling) notices and chases him all over town with sheriff and family close behind. Fatty Arbuckle plays the peeper's wife(!).
To show his girl how brave he is, Pug challenges the champion to a fight. Charlie referees, trying to avoid contact with the two monsters.
A villain, competing with his rival's race car, kidnaps the rival before the race. Mabel decides to take the wheel in his place.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.