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Fifty elderly women are abandoned to die on a snow covered mountain, but instead wor together to build their own village named "Dendera." Some of the women wants to live their remaining days in peace, but others seek revenge against the villagers and their own families who left them to die.
When a promising young boxer is crippled in a car accident, he falls into a life of dissipation and depression. No boxing ring or martial arts club will take him on -- that is, until an aiki jujitsu master helps the young man develop techniques uniquely tailored to a wheelchair. What starts off as a sad film revs up into an exciting and fun series of epiphanies in which the young man realizes his situation isn't as hopeless as it seems.
A precarious loner sneaks into a blind woman's home and begins living there without her noticing. Meanwhile, the woman mourns her recently deceased father and struggles to remain connected to the world.
Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.
Commentary: The first work in the "Asian Beat" series, in which young directors from six Asian countries, including Japan, compete to create the same protagonist (Masatoshi Nagase). The main character "TOKIO" becomes involved in various incidents when he meets Banana, a Filipino girl who is a terrorist and holds top-secret information that will shake Japan. This work depicts the appearance of TOKIO and his escape from Japan.
An idyllic and quiet horror movie in the age of the occult. Tadashi lives alone with his younger sister Kyoko, who has returned to Japan after a divorce. The older brother tries desperately to get rid of it, but in fact, the two siblings have an incestuous relationship, and Kyoko is possessed by Izuna, who is used by Kyoko's ex-husband who resents the relationship. The screen is black and white and eerie. Izuna smiles fearlessly at her. A brother and sister who cannot settle their warped love. With elaborate art reminiscent of Japanese houses and customs of the 1950s, the film brilliantly depicts a mature mystery world with a nostalgic flavour.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A documentary that chronicles the making of The Boy and the Heron, filmed with exclusive access to Studio Ghibli across an astonishing seven years.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money -- and self-respect.