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A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
Chinese workers start a rebellion, arm themselves and take over the train on which they are travelling and manage to break through the frontier.
The first of what became a popular genre of wartime 'film-concerts', consisting of eight musical numbers, strung together by a loose plot. It shows soldiers leaving their village for the front; in their absence, the desolate but resolute young women of the village assume responsibility for the business of the farm
A movie concert filmed at the Mosfilm studio in 1940 with the participation of leading soloists and musical groups of the Soviet Union.
At the beginning of 1919, a serious threat loomed over Astrakhan: British aviation was striking from the air, an interventionist fleet was approaching by sea, and Kolchak and Denikin were besieging the city from the land. Under the direction of the new defense leader of the city, a group of communists secretly made their way into Baku, which had been captured by the British. Posing as oil traders, they purchased fuel and successfully delivered it to Astrakhan. The planes of the Red Army soared into the sky—and the defending troops went on the offensive...
A young sportsman Grisha Fokin falls in love with Masha, the wife of an outstanding scientist - Yuliyan Nikolayevich Stepanov.
Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.
A 1949 two-part Soviet epic war film about the Battle of Stalingrad, directed by Vladimir Petrov. The script was written by Nikolai Virta.