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For the final installment in his GODASSES trilogy, Emre Busse conspires with trans porn talent Jamal Phoenix to redefine the desirable body outside of a hegemonic society’s normative restrictions and, because of the specific relationship that pornographic images have to their audience, fuck with a viewer’s assumed self-assurance as being a coherent sexual subject.
By worshipping the anus, GODASSES Pt. 2 immerses us in an orifice that is universal to all of humanity (and, with some exceptions like sea sponges or jelly fishes, to most non-human animals as well). As an erogenous center, the assh*le is situated beyond the anatomical limits imposed by sexual difference since it bears no immediate relation to procreational organs: “The anus’s task,” as Paul B. Preciado concludes in his Countersexual Manifesto, “is not directed toward reproduction, nor is it founded on the establishment of a romantic nexus. It generates profits that cannot be accounted for in a heterocentric economy. Through the anus, the traditional sex/gender representation system shits itself.”
A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.
In his provocative new work of existential science fiction, Emre Busse invites his audience to question the meaning of “the gaze” as part of the post-human experience by replacing the eyes on the face with the orifice. This jarring visual and switch from the literal to the metaphorical leaves the protagonist to redefine his own human desires while reinventing his new self. In this new, surreal world of customizing sexual desires, one is left to question why they have been programmed to accept the bare minimum of their deepest desires in the first place!
This documentary takes the dancing body on the homo-social dance floor as a research site and aims to wander through the spectrum of hyper masculinity and its expressions, cultural origins and political implications.
An experimental documentation behind the culture of S&M apartment rentals in Berlin answering the questions: who owns them, how are they designed/built, to whom and how they are marketed, and how they fit into their niche market within the cities well-known sex tourism trade?
Two sweaty travelers get rough and get going in the back of a truck, pounding their way through psychedelic plains on an erotic escape from reality.
Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
Minnie Mouse knits a sweater for Pluto. When she puts it on him, Pluto does whatever he can to try to get it off, eventually shrinking it to the perfect size for Figaro.
Spike the bulldog, grateful to Jerry for getting him out of the dogcatcher's van, offers to help the little mouse any time he whistles. Tom, Jerry's feline tormentor, seeks to overcome this new disadvantage.