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For the final installment in his GODASSES trilogy, Emre Busse conspires with trans porn talent Jamal Phoenix to redefine the desirable body outside of a hegemonic society’s normative restrictions and, because of the specific relationship that pornographic images have to their audience, fuck with a viewer’s assumed self-assurance as being a coherent sexual subject.
Obviously, tastes and preferences have changed since antiquity; a small dick isn’t the merit it used to be, especially within the genre of pornography. But a juicy arse still proves to be enchanting. And Puscle Mussy, one protagonist of Emre Busse’s movie GODASSES and the star of his very own OnlyFans account, has it both – “a big muscle pussy and big dick,” as he advertises his assets on Twitter. Despite this excess of desirable meat, Busse focuses exclusively on Mussy’s divine derriere as part of his newest compilation of short films, which continue his earlier filmic explorations of gay pornography and masculinity. In this new project, he questions the myth of having the perfect keister in contemporary queer porn and asks: What makes us fancy the fanny? How much junk belongs in the trunk?
A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.
In his provocative new work of existential science fiction, Emre Busse invites his audience to question the meaning of “the gaze” as part of the post-human experience by replacing the eyes on the face with the orifice. This jarring visual and switch from the literal to the metaphorical leaves the protagonist to redefine his own human desires while reinventing his new self. In this new, surreal world of customizing sexual desires, one is left to question why they have been programmed to accept the bare minimum of their deepest desires in the first place!
This documentary takes the dancing body on the homo-social dance floor as a research site and aims to wander through the spectrum of hyper masculinity and its expressions, cultural origins and political implications.
An experimental documentation behind the culture of S&M apartment rentals in Berlin answering the questions: who owns them, how are they designed/built, to whom and how they are marketed, and how they fit into their niche market within the cities well-known sex tourism trade?
The Driver drives a wounded diplomat, who carries a mysterious briefcase, while under helicopter attack. During the attack the briefcase is struck by a bullet, causing a display on it to begin counting down, and it to leak an unknown fluid from the bullet hole. The Driver manages to destroy his pursuers, but refuses to proceed without knowing the contents of the damaged briefcase. It is revealed that the diplomat guards a human heart for a peacekeeper, whose life is needed for the continued freedom of the people. The case is delivered, and the tyrant is forced to give up his attempt to take the country by force. The Driver leaves for another mission.
While escorting an elderly man to an undisclosed location, The Driver is confronted by a van full of armed men and is warned that the old man has stolen a large amount of diamonds. The old man claims to have swallowed the diamonds and that the men will likely cut him open to retrieve them. The Driver decides at the last minute to help him, participating in a car chase and shootout with the van. The Driver eventually evades his pursuers and watches their destruction. He then delivers the old man to a town nearby and asks the merchant if he did indeed swallowed the diamonds. The client merely chuckles and walks away. The Driver then leaves.
Spike the bulldog, grateful to Jerry for getting him out of the dogcatcher's van, offers to help the little mouse any time he whistles. Tom, Jerry's feline tormentor, seeks to overcome this new disadvantage.
Mickey's going golfing, and Pluto is his caddy. Besides the usual caddy duties, Pluto runs to the ball and points to it. But when the ball lands in a gopher hole, Pluto's got another task: chase the gopher. They eventually chase each other through a number of holes in a knoll where Mickey is trying to putt out, causing the knoll to collapse.