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By worshipping the anus, GODASSES Pt. 2 immerses us in an orifice that is universal to all of humanity (and, with some exceptions like sea sponges or jelly fishes, to most non-human animals as well). As an erogenous center, the assh*le is situated beyond the anatomical limits imposed by sexual difference since it bears no immediate relation to procreational organs: “The anus’s task,” as Paul B. Preciado concludes in his Countersexual Manifesto, “is not directed toward reproduction, nor is it founded on the establishment of a romantic nexus. It generates profits that cannot be accounted for in a heterocentric economy. Through the anus, the traditional sex/gender representation system shits itself.”
Obviously, tastes and preferences have changed since antiquity; a small dick isn’t the merit it used to be, especially within the genre of pornography. But a juicy arse still proves to be enchanting. And Puscle Mussy, one protagonist of Emre Busse’s movie GODASSES and the star of his very own OnlyFans account, has it both – “a big muscle pussy and big dick,” as he advertises his assets on Twitter. Despite this excess of desirable meat, Busse focuses exclusively on Mussy’s divine derriere as part of his newest compilation of short films, which continue his earlier filmic explorations of gay pornography and masculinity. In this new project, he questions the myth of having the perfect keister in contemporary queer porn and asks: What makes us fancy the fanny? How much junk belongs in the trunk?
A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.
In his provocative new work of existential science fiction, Emre Busse invites his audience to question the meaning of “the gaze” as part of the post-human experience by replacing the eyes on the face with the orifice. This jarring visual and switch from the literal to the metaphorical leaves the protagonist to redefine his own human desires while reinventing his new self. In this new, surreal world of customizing sexual desires, one is left to question why they have been programmed to accept the bare minimum of their deepest desires in the first place!
This documentary takes the dancing body on the homo-social dance floor as a research site and aims to wander through the spectrum of hyper masculinity and its expressions, cultural origins and political implications.
An experimental documentation behind the culture of S&M apartment rentals in Berlin answering the questions: who owns them, how are they designed/built, to whom and how they are marketed, and how they fit into their niche market within the cities well-known sex tourism trade?
While COVID-19 times pushed us to redefine relationships and desires, Salty Chéri and Manon Praline decided to play consciously with the power dynamics between filmmaker and performer: Salty set up three blind dates for Manon. Being uninformed about her partners or what would happen, she had to let go of expectations.
UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.
The protagonist chooses three cards in a tarot reading. Gradually, each card becomes an animation that leads to a new vignette of the movie and a new journey of self-discovery to explore.
An autobiographical short film about bugchasing, the intentional self infection with HIV. In the work author and director Martin Willibald Meisl deals with his memories and tries to explore his motivations. - When did the tendency towards self-destructive behavior arise and which ones can be seen? For that, he works with reenactments of artworks such as photos by Joel-Peter Witkin or Michaelangelo’s Pietá. A look at the later consequences of the decision is given. Discrimination, side effects of the therapy, and feelings towards the fresh infection. There is a clear change in his sexuality, and new positions taken.