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A recently widowed affluent woman, Undral, faces an inevitable challenge when she must bring her late husband's former wife to the city from the countryside.
Saruul, a science student, is asked by an injured classmate Namuunaa to work part-time as a substitute in an adult goods store for a month. Katya, the Russian owner, a former ballet dancer who lives an elegant life on her own, realizes that Saruul, who comes daily to deliver the proceeds, has been suppressing herself against her parents' expectations, and tries to release her secret desires and sexual curiosity. Saruul, who lives with her family with little change in her life except for the evenings when she paints her favorite pictures, is exposed to a new world through her interaction with Katya, who has a wealth of life experience, but one incident leads to a growing distrust...
An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.
This contemporary domestic drama follows Lardima, the young wife of a man rich enough to provide her with the life of a princess. But her sadistic and obsessively jealous husband mistreats her. Following an accident, Lardima is imprisoned and forges a friendship with a female guard. Female solidarity in the face of everyday sexism, told with gut-wrenching style.
A film that combines three different perspectives and three different worlds into one work of art. The film tells the story of a boy named Uurtsaikh, and shows his life up to the age of 19, so the film is called "19". The first part shows the life of a family in today's society through Uurtsaikh's childhood and his relationship with his parents, while the second part shows Uurtsaikh's love life with humor and adventure. The last part is directed by I. Nyamgavaa in the "arthouse" genre.
Bayaraa, a weather-worn muralist who once tasted glory in Europe, returns to Mongolia with only a box of paints, a rooftop tent, and his loyal stray dog. Each day he descends the wall of an abandoned factory, covering its crumbling concrete with sweeping murals of mythic Mongolian landscapes. Watching him is a sardonic balloon, at once conscience, companion, and a stroke of fable. When officials announce the factory will soon be demolished, Bayaraa becomes determined to leave behind his masterpiece. Yet the deeper battle lies within: the long-buried wound of the wife and daughter he abandoned for art.
The film continues as Gard, a fugitive who returns to his homeland during a time of terrible repression, forms a strange bond with his old acquaintance, the milkmaid Khoroloo, and a new local girl, Duuriimaa.
It shows the current school curriculum and the lives of students.
After a privileged woman loses her child, she goes on a long journey of praying in prostration to the Buddhist Temple to clear her sins.