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Dawn of the Capricorn, made by Ahmad Faroughi Kadjar (Qajar) in 1964, is a strange composition that looks at the stagnated situation of a country suspended between the old world and the modern era. Nevertheless, while its aim is clear, the message is vague and up to interpretation. Wherever it casts its eye, Faroughi’s camera tries to register this somehow cynical dichotomy. It begins in a theater house in the old city of Isfahan that has staged Shakespeare’s Othello. There is no attentive audience and the players are detached and exhausted. A young man from amongst the audience begins a long journey into the web of narrow alleys of Isfahan and ends up in the main mosque of the city where he meets a young girl. Despite the initial chaotic situations, from its halfway point, the film begins to render a silent observation of a night that will end at the break of dawn.
A short documentary about Tehran that mainly focuses on the industrialization, modernization and Westernization of the city in the 1960s
A documentary about Abolhasan Saba, who was an Iranian musician, composer.
A night with Bahman Mohasses famous Iranian Painter
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.