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Murthy saves Indira from Vyasaraya, who plans to sell her, but on the way to her home, Murthy is hit by Vyasaraya's car and Indira gets kidnapped. Murthy tries to do everything he can to save her.
Kumar finds that the fishermen in his village are exploited by a middleman, Bantappa. He creates an entity for them to directly sell fish to customers but Bantappa uses his might to bring it down.
A lovelorn village boy and girl cross all barriers of caste and tradition to unite in a meaningful manner.
A young woman is married against her will. After she delivers a baby, the child grows up to become a fine girl, who fights to ensure that her mother gets justice for everything she went through.
Vikram and Prema fall in love with each other. However, Prema's father tries to separate the lovers due to a promise that he made to his dear friend.
A young man sets out on a treasure hunt to capture a golden deer with magical powers. However, he soon learns secrets from his past life which shock him.
Onti Dhwani is a 1984 Kannada drama film directed by T.S. Nagabharana. The film is based on a novel by Sujatha.
Story of the rebellious thinker Allama, also known as Allama Prabhu.
Shankar, a city lad, pays a visit to his ancestral village. When he decides to settle there for good, he faces opposition from his own family and from a village bigwig.
The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.