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A behind the scenes documentary of Kenji Onishi's never completed 35mm feature film "Shiroyasha", shot between 2002 and 2004.
A girl and a boy, a chance encounter with the camera. She invites the photographer to her room. Once inside, the woman takes off her clothers and provokes the man. An unblemished composition of umblemished eroticism. Kenji Onishi's entry in the "Roji no ko" series.
The Air-Conditioning System (1997) introduces us to a young man in his flat, and the ways of communication with his girlfriend. The sky is blue and skirts are put on the balcony for drying. The wind will carry everything away, just like the noise and music or the porn we watch with him later on TV (he prefers to look at western blonde women). What will happen when the young woman in her flat will have found out soon that he is looking at her (and listening to her) via the air-conditioning system?
Blue Max (1997) shows a woman looking out of a window, but also working with extreme close-ups: The street, her neck, the window, her knees, the floor and her toes, brought together by the sound of a passing train. Her ears, her mouth, the wall and the door. The sparkling glass of a window and the young woman on top of a naked young man and later the shadows on the wall of both of them. A telephone is ringing and the clouds in the blue sky are travelling by while it all turns into a rape. And the calmness of both of them is quite irritating when they later watch TV together. (www.desistfilm.com)
Experimental short by Kenji Onishi.
Everyday events illuminated by the summer sun, seemingly insignificant observations, are brought to life by an 8mm camera. The changing sky, the trajectory of the sun, captured using stop-motion; the camera is a machine that collects light as if cutting out the air itself.
Experimental short by Kenji Onishi.
An 8mm film drama. Written by Fusako Kumagai and directed by Kenji Onishi.
VIDA, starring AV actress Hotaru Hazuki, is an erotic work aiming directly at the Hypothalamus. DEATH is an event that makes life emerge in a different language. The film was entirely self-developed at home