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A child goes missing in a drama about child welfare workers and the effects of their work on the lives of these workers. Rita returns to her job in child protection after being furloughed during a police investigation. The child is still missing, and Rita is held responsible for the situation. She was replaced as manager by a new director, Jyrki. When she returns to work, Rita is paired with inexperienced Laura. Together, Rita and Laura become an effective team, but the boundaries between their work and private lives begin to blur.
Unemployed actor Kati gets a job as a tomato on a commercial. Turns out that the gig is not what she expected.
A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.
Taru lives with her husband and this teenage daughter Ninni. The family's life is shaken when Ninni has an accident and Ninni's biological mother and Taru's half-sister Eve show up. Soon things from the women's past will surface.
As a professional billiards player, Yin Guo has become quite a notable athlete. After receiving an invitation to play in a tournament in Hel, Yin Guo eagerly accepts. Little does she know that meeting former professional billiards player, Lin Yiyang, in Hel will change her life forever.
Journalist calls down the wrath of her readers by trying to uncover the connection between the murder of a local football hero and a cryptocurrency. Searching for the truth she risks not only her reputation, but her life.
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.