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Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.
The misadventures of a divorced mother, two teenage daughters, and their new building superintendent in Indianapolis.
An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.
Charles, a 19-year-old student at the fictional Copeland College in New Brunswick, New Jersey, works as a live-in babysitter in exchange for room and board.
Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.
Amen is an American television sitcom produced by Carson Productions that ran from September 27, 1986 to May 11, 1991 on NBC. Set in Sherman Hemsley's real-life hometown of Philadelphia, Amen stars Hemsley as the deacon of a church and was part of a wave of successful sitcoms on NBC in the 1980s which featured entirely or almost-entirely black casts. Others included The Cosby Show, A Different World, and 227.
The Benny Hill Show is a British comedy television show that starred Benny Hill and aired in various incarnations between 15 January 1955 and 30 May 1991 in over 140 countries. The show focused on sketches that were full of slapstick, mime, parody, and double-entendre. Thames Television cancelled production of the show in 1989 due to declining ratings and large production costs at £450,000 per show.
The sitcom takes us into the further adventures of the characters from the movie of the same name.
ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.
Orson Welles’ Great Mysteries is a British television anthology series produced by Anglia Television for the ITV network and broadcast between 1973 and 1974. The series presents standalone adaptations of classic mystery, crime, and supernatural stories drawn from literary sources including Dickens, Conan Doyle, Wilkie Collins, Balzac, Maugham, O. Henry, and others. Each episode is framed by original introductory and closing sequences performed by Orson Welles, who serves as the series’ host and sole recurring on-screen presence. These segments, written and directed by Welles (uncredited), function as stylized narrative framing devices rather than dramatic participation in the stories themselves. The dramatic content of each episode is performed by separate casts and directors, with no continuing characters or serialized narrative, establishing the series as a unified television anthology rather than a collection of standalone films.