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Some students in a boarding house have to face the reality of everyday life in pursuit of their goals. The life of one, Carlos, changes drastically when he falls in love with the hotel maid.
In a pension, a good-hearted student falls in love with a young woman seduced by a Don Juan.
A young woman gives birth in Buenos Aires at the time of Rosas. As her husband was a young opponent of the government, supposedly murdered, she must fight against the gossip.
A priest hears in an act of confession protected by ecclesiastical secrecy the author of the crime of a powerful rancher that the townspeople attribute to his young girlfriend.
A bohemian reluctant to marriage and work will get sudden wealth.
In a middle class family in Buenos Aires, a conflict arises between their two sons. One is a carefree playboy who spends his nights on cabarets. The other, a promising engineer who is the pride of the family.
Lucy is a woman of shady past who convinces Argüello and Carlos to install an illegal gambling hall on a cabaret that worked legally. When Argüello is interested romantically in her, it rejects it because it is attracted by Carlos, a womanizer singer. The obsession for her leads Argüello to cheat in the game that he holds with Carlos and manages to ruin him, but finally both fight and Argüello dies stabbed but without denouncing his aggressor to recover his self-esteem as a professional player.
“Mosaico criollo” is not exactly a spoken film: it is a series of filmed musical sketches of several popular genres in four scenes, each one with a description. Joaquina Carreras sings folk song “Triste está mi rancho”, then Giménez and Suárez (“genuine northern dancers”) dive into an enthusiastic folk tap dance. After them, Julio Perceval (“delight of Buenos Aires citizens’ ears”) executes a piano solo, and “graceful interpreter” Anita Palmero sings the tango “Botarate”, by Acuña and De Cicco.
A homeless man returns to the countryside after traveling the world for years.