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Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.
Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.
A 1951 Bengali Thriller Film directed by Naresh Mitra.
Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.
Maanbhanjan explores the complexities of love, obsession, and identity. The story follows a neglected wife who finds solace and empowerment through the transformative world of theater. As she navigates the complexities of her marriage and the allure of the stage, she challenges societal norms and redefines her own destiny.
Ramshankar is a poor man who lives with his family. He arranges his daughter's marriage with an old man. Soon, she returns home as a widow and Ramshankar realises his mistake.
Sisir Kumar Bhaduri's Palli Samaj. A 1932 Bengali Talkie Film directed by Sisir Kumar Bhaduri.
Bicharak is a powerful film that explores the complexities of fate, judgment, and redemption. Through the lives of a tragic woman and a morally conflicted judge, the film delves into the depths of human nature and the consequences of societal prejudice.