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Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fourth of the six films, "The Pursuit of Happiness," filmmaker Robert Zemeckis delves into the history of America's relationship with mind-altering substances over the past 100 years, presenting interviews with historians and professionals in the drug treatment field, interspersed with a treasure trove of film and television clips depicting the highs and lows of smoking, drinking and drugging in the 20th century.
Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.
Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fifth of the six films, "Funny Is Money," filmmaker Norman Jewison delves into the topic of comedy, using the hype surrounding the finale of the wildly successful NBC series "Seinfeld" as his launchpad to explore how the artform has evolved over the past 100 years.
Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the first of the six films, "In Search of the Happy Ending," filmmaker Garry Marshall delves into the institution of marriage as it has evolved in America throughout the past 100 years.
Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the second of the six films, "From Behind Closed Doors," filmmaker Robert Townsend delves into America's fraught relationship with sex and sexuality, using New York's Times Square as the focal point as he traces 100 years of sexual mores and practices.
American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.
The head of the household, Jess Gonzalez, is your average father who is forced to fight everyday troubles, following the death of his loving wife Berta. Their beloved daughter Nina has recently graduated from law school and decides to work for Legal Services on behalf of immigrant rights, although Jess does not agree with her decision. The rest of the Gonzalez family just tries to go with the flow, but they find their own problems down the road.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.