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What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).
When Ah Yao returns to Malaysia for his father’s funeral, he expects grief, not chaos. But everything turns upside down when the religious police storm in, claiming his father—who secretly converted to Islam—must be buried in an Islamic cemetery. Refusing to let go, Ah Yao and his siblings set out on a wild, darkly comedic journey to reclaim the body, confronting cultural clashes, family secrets, and absurd obstacles along the way.
A story about ethnic Chinese Malaysians in the late 18th and early 19th centuries: as they traverse the lands in the South China Sea, they become like fireflies quivering upon the dark waters.
One million people in Malaysia's Sabah are stateless. Fifty thousand of them are children who have been denied their rights to public education and healthcare. This is a story of those who learn to speak up for themselves.
Over the decades, the Malayan Communist Party fought a guerrilla war in the jungle for independence. When a baby was born during the war, they sent it out of the jungle to ensure its survival. Boluomi is one of those babies.
This winter, the boy has become very strange. He bursts out in anger, throws random tantrums, and refuses to play with his classmates. Everyone seems to know the reason, but no one is brave enough to approach him. After school, the boy retreats deep into the forest. There lies his happiest and saddest secret...
One year after a zombie apocalypse, a mother and daughter are forced to choose between survival and family.
During World War II, Taiwan was part of the Japanese Empire. This documentary explores the experiences of Taiwanese soldiers, doctors, and overseas residents in Southeast Asia during that time. Using cross-generational memory dialogues, family letters, diaries, and videos, the film addresses the complexities of Taiwan's historical memory and diverse identities during that period.
Nia from the Philippines works as a family maid in Taiwan. She prefers to stay in her private room, where a door separates her from her employers, but this upsets her employers.This is a story about being away from home.
During a junior high classical music competition, talented violinist Chen-Rui surprises everyone when he relinquishes his position of concertmaster to another student.