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When a renowned criminal lawyer sees one of the people she loves most become a victim of the Brazilian penitentiary system, she must decide whether to cross the line that separates her between looking for justice or committing an unforgivable crime.
A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.
A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.
A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.
This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.
Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers
The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.
A fictionalized drama film based on one of the most shocking crimes in Argentina's history. In 1992, Ricardo Barreda was an unassuming dentist, brutally murdered his wife, mother-in-law, and two adult daughters in their family home. Branding himself as a victim, Ricardo Barreda ignited a media storm and fueled a national scandal.
The plot is based on the daily life of the Panigasi family, an impoverished middle-class family.