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Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.
Carolina and Damian were made for each other, but they have different ideas about sex and love. Can they remain together?
On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.
Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.
Nadia spends a few days in Mar del Plata, where she meets Pablo and Marta, although she's the only one who sparks her interest. While sharing dinner at Marta's house, the atmosphere becomes tense and Pablo becomes violent. The two girls leave and find the warmth they were looking for.
Rubén, a humble healer, attends to his patients with extravagant and disturbing healing techniques. With the appearance of Benjamín, he becomes more popular and gains a cult following. But that fame will end up being his own hell.
During the summer, thirteen-year-old Sofia moves to the country house, where her cousin Cristina is waiting for her to spend the vacations. During these days of games and discoveries, the two will be immersed in a love triangle with a man almost twenty years older. Its outcome will mark the passage from puberty to adolescence for both of them.
Laura has been with Antonio all her life and, just when she begins to wonder if that is really the life she wants, Sergio and Siena cross paths in their lives. Sergio is a former high school classmate and Siena, his millennial girlfriend who arrives to revolutionize everyone's lives. Laura, Raquel and Cris, close friends for years, convince their respective husbands to play a game that Siena proposes to them: the game of keys. The game consists of everyone putting their keys in a bowl. At random, each one chooses some keys and he must go to spend the night with the owner of the keys. This game will revolutionize the group of friends and their lives. It will make them discover who they are and what they really want.
Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.