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Three male native speakers endlessly correct a woman's foreign pronunciations of English, French and Polish. It seems that the absolute pronunciation of the national texts is represented at its best in the cacophony of three languages overlapping female and male recitations of the anthems. These nonsensical exercises of the mouths problematize the meaning of certain politically charged words.
"This peculiar instrument consists of two metre long prosthetic tongue whose one side is inserted into my opened mouth and the other one is sharply pointed like a warrior's sword. I also have a shiny helmet that encloses my brain and protects my face with two elegantly cut out metallic side sheets. And then imagine me, standing in the middle of the room and "exercising my tongue", stretching it, pulling it out, and perhaps inflicting pain upon myself while being covered by this ambivalently protective device while trying to pronounce inaudible words. As I am making my "beautifully threatening" instrument for the straight and correct (ortho) pronunciations of the words (orthoepy) right here and now, I realize that I am setting up conditions for the war. This war will be fought for the sake of "just words" and it will certainly require proper arms of justice - an elongated iron tongue and a defensive helmet." - Kinga Araya
"The Peripatetic Device, two iron hemispheres with imprints of my feet in the middle of each, proposes another way of trying to understand one of the most perplexing human phenomenon - the leitmotif of walking and displacement. While standing on two balancing iron hemispheres and attempting to play the violin, I revisit the present and past memories that sculptured my body and my mind. In particular, I aspire to take the viewer on an uneasy journey that would allow him/her to contemplate on what is idiotic and paradoxical about our human nature. In order to forge my artistic and personal credo I need to question my current status quo and challenge it during a peripatetic exercise." - King Araya
This video is an artistic interpretation of an actual performance that took place in the summer, 2000 on Mount Royal in Montreal. All the scenes of the video are in slow motion. Kinga Araya climbs wooden stairs to get to the top of Mount Royal. Dressed in black, she wears a beautiful, yet cumbersome and dangerous copper hat (adjustable refers to the copper band inside the Headgear to fit almost any human head). When she finally reaches the lookout, she continues to walk in a circle. She finishes her 'Royal Promenade' with a final spin, in the middle of this picturesque public space.
A naked female figure faces the wall and hits it monotonously with towels. Formally the video refers to the photographic series showing prostitutes from the red light district in New Orleans made in 1912 by the American artist E.J. Bellocq. These photographed figures often turned away from the lens and had their faces blurred or veiled. Araya’s use of primary color also refers to her artistic beginnings as a painter.
A behind-the-scenes mockumentary of Tropic Thunder.
When a clock lands on Mater's engine, he travels back in time to 1909 where he meets Stanley, an ambitious young car on his way to California. With the help of Lightning McQueen, Mater alters history by convincing Stanley to stay and build Radiator Springs. Stanley meets Lizzie and they commemorate the opening of the new courthouse with their wedding.
A group of dated appliances, finding themselves stranded in a summer home that their family had just sold, decide to seek out their eight year old 'master'.
A 'Man from the Future' arrives at an LA diner where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.
With mesmerizing footage and time lapses of animators at work, this behind-the-scenes special captures the artistry of a unique tale years in the making.