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A young man is hired by an industrialist, while a secret hangs over his birth. His boss's wife turns out to be his mother, who hides the truth from him.
In 1914, during the First World War, the rich chatelaine de Boissière, with a sulphurous past, took in Jean le Barois, a young soldier lost in territory occupied by the Germans, who was none other than the son of the man she loved, then ruined. The young man, after having despised her, falls madly in love with the woman who pushed his father to suicide.
A girl, Marie, who got engaged to a boy who is leaving for military training (thirteen days) wins two million on the raffle, thanks to an older man, Claude, whom she calls her good luck …
A vagabond arrives in a village where he works for a rich landowner, Master Pierre; he seduces one of the girls, gets her pregnant and hits the road again.
Because the shiner Titin has fallen in love with a singer, he braves the latter's protector, the baron, and passes himself off as an insurer in connection with a pearl necklace that is circulating. Bitters get involved, Titin kidnaps the beauty and leaves the pearls to the baron.
A young noblewoman regrets having to marry the village ironmaster for money reasons, but later comes to appreciate her new husband.
Monsieur Durand-Bidon's mother-in-law is decidedly cantankerous. She never ceases - she who is a duchess - to reproach the latter for his low origins. One morning, at dawn, while he comes home "well watered", he is surprised with a comrade at the bottom of a bathtub. Taken for a homosexual, overwhelmed by Step-Mom, he will never stop trying to escape her and will end up, after many adventures, by learning a somewhat embarrassing secret about the pseudo-nobility of his step-family.
Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.
Arlette and her brother are penniless orphans; as the man is to leave for Africa to work for a long time, the young girl is forced to live with her cousins, four spinsters, who place virtue over everything.
A young man marries the daughter of a famous actress, but is visibly more attracted to his stepmother. She manages, not without difficulty, to reconnect the bonds of a vacillating household.