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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.
A servant girl, given in marriage when she turns out to be pregnant, can't bring herself to live away from her master.
Jacqueline is married to Maître André, but is in love with her lover Clavaroche, a fiery officer stationed in the city. In order to avert Master André's suspicions about his wife's fidelity, Clavaroche suggests that Jacqueline take a "Chandelier".
A couple who appears to have the perfect relationship finds their future in jeopardy following a scorching night of lust and debauchery in this erotic drama adapted from the controversial novel by French author Colette.
This story is set in the 13th century, in Britain, where Lancelot, who was raised by Vivian, the Lady of the Lake, becomes one the Knight of the Round Tables and falls secretly in love with Guinevere, the wife of King Arthur, for whom he wants to accomplish many deeds.
An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.
Blanche was raped in her adolescence by a servant, a cowherd named Baptiste. Her family, anxious to hide the shame that this scandal has cast on their reputation, locks the young girl in their manor, thinking that four walls are enough to silence the mockery. One day, Blanche, whom the whole country nicknames "Madame Baptiste", tries to commit suicide, consumed by the painful memory she carries within her. A man saves her and, charmed by the woman who now owes him her life, he asks her to marry him, thus defying the moral barriers set by public opinion. Life now seems happy for Blanche, but one day, at the agricultural show, the insult comes again: "Madame Baptiste!"...
Is Thérèse guilty? Accused of her husband's murder, she confides in the investigating judge—the only man who has ever truly listened to her. Beyond the crime story, the film explores the strange bonds that form between people and the twists and turns of the human psyche.