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A seventy-year-old veteran of the Algerian War of Independence speaks about his years of struggle as an underground soldier for the National Liberation Front.
During a beach excursion, Nfissa, a young mother, is violently sexually harassed and drowned by a group of young men after she absent-mindedly swims into their midst. Nobody seems to witness her disappearance. Anxiety and fear grow among her family, especially as, on the same beach, bathers suddenly start dying en masse.
Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.
Still Burning tells the unexpected reunion in Paris in June 1998 of André, a Lebanese filmmaker living and working in France, and Walid, the very close friend he has not seen for years. In their youth, in Beirut, during the civil war, they were both possessed by the same artistic vocation: Cinema, but also by the same woman: Amira. Their reunion, all night long, will not fail to awaken their old repressed demons for better or for worse.
Malek, in his forties, single, has just moved to Montmartre and will soon welcome his nephew Ryiad, who has just arrived from Algeria, into his home. Together they discover Barbès, the neighborhood of the Algerian community, very lively, despite the current health crisis. His meetings with local figures will allow Malek to find a part of himself that he had buried, and to reconcile with his origins.
Driven by an urgent need to amass a large sum of money in a short time, a man assembles a team specializing in theft and fraud, leveraging its members' skills in disguise and deception to exploit their victims. Though united by a common goal, each member harbors their own motives and ambitions.
After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.
Karima, a famous photographer who has been living in Paris for several years, is forced to return to Algiers after receiving a call from her mother informing her that her tyrannical father's health is rapidly declining. This forced return reawakens the scars and ghosts of a repressed past, especially when she learns that her brother has joined an armed group.
Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.