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A blown wick, a rejected corner stone, multiplied loaves, mown wheat and the mower watching us. Some Bible verses illustrated by plans stolen in the countryside during the summer.
In 1986, Laurent Roth was able to finish his first longer work: Les yeux brûlés, a documentary about war photographers and cinematographers that honoured some of France’s then still-living greats, while also fathoming the complex relationship between film and armed combat since the inception of the cinematic art.When Roth returned to the material of Les yeux brûlés for a portrait of Schoendoerffer, only the audio still existed – the images were lost. Roth took this in his stride and came up with a stunning solution: he used the complete audio, unedited, and severely slowed down the few existing shots of Schoendoerffer (and his interviewer, actress Mireille Perrier) to fit the sound, length-wise.
Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.
Beneath her eccentric appearance, Captain Marleau is a formidable detective. Her Sherlock Holmes deerstalker cap, her character, her unusual appearance, her humor, her unpredictable behavior--Captain Marleau is not your average gendarme. She never rushes an investigation; she becomes the investigation and relentlessly pursues the suspects.
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.
Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother... which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?
A new documentary by filmmaker-photographer Raymond Depardon – where justice and psychiatry meet.