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An homage to the painter Armando Reveron, this is the story of a contemporary painter who chooses to live in isolation in a hut alongside the Caribbean Sea. Along with Claudia, his muse, he works using nature as his source of inspiration. Alfredo, a friend and art connoisseur, forces the painter to create a series of paintings for an exhibition in New York that aims at achieving fame and putting him on the contemporary art market. The film presents a tropical perspective of the dilemma between artist and the commercializing of his work.
The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.
This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.
This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.
It is a love story that takes place between 1924 and 1954 on the shore of the Caribbean Seawhere we discover the universe of the great Venezuelan artist Armando Reveron, his relationship with his muse Juanita and inseparable companion, the friends who frequent the building andrecreation of the objects that make up his world, his obsession with tropical light that blinds. We will see the development of his mental illness and the universe playful, emotional and painful inthis magical space called The Castillete.
The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.
In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.
Short film by Diego Rísquez.
¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.