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On June 23, 1959, Boris Vian died of a heart attack while watching the film "I Spit Οn Your Graves", a frivolous adaptation of his novel of the same name, which he released under the pseudonym Vernon Sullivan. Taking as a starting point this fateful date for Vian's relationship with cinema, the documentary looks back at his cinematic experiences, his appearances in several films, his friendship with director Pierre Cast and his many unrealized screenplays. From the post-war period to the dawn of the 1960s, from the cellars of Saint-Germain-des-Prés to his apartment in Place Blanche, it is about the portrait of a diverse author who loved cinema with passion.
In the 1950s, it was in cinemas that the French people of France discovered the West Indies, these territories so distant and so little known. Most often, the images seen and comments heard reflect the clichés of the colonial mentality.
Michèle, an employee at the airport, is in love with American pilot Eddie Miller who regularly flies the route from New York to Paris, but problems arise when he is transferred to the Tokyo route. Meanwhile Michèle's uncle Albert who works in the freight department sets out to tackle a drug trafficking outfit.
Commissaire Perrache, the chief of the D.S.T., the French domestic intelligence service, tries to neutralize a group of terrorists named the Partisans de la Métropole. He sends one of his best agents, inspector Louis Vignon, incidentally the husband of his charming secretary Lucette, on the trail of an illegal transmitter. But Vignon gets kidnapped by the gang and held captive on a boat off the shores of Monaco...
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.