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The story of Romeo and Juliet, who pay for their passion with their lives, has been interpreted in the widest variety of literary and musical genres ever since the Renaissance. Vincenzo Bellini's much too rarely staged Romeo and Juliet opera, I Capuleti e i Montecchi, is far removed from Shakespeare's version: rather than telling the story of a tenderly burgeoning love, the piece is an account of the last 24 hours in the two young people's lives. The underlying mood of the piece is thus one of melancholy - which then develops into a catastrophic maelstrom. The première of the thrilling Zurich production of this bel canto gem, directed by Christof Loy and conducted by Fabio Luisi, was enthusiastically received by critics and audiences alike. The two protagonists also met with acclaim: experience world star Joyce DiDonato in the trouser role of Romeo, with the young Ukrainia soprano Olga Kulchynska at her side as Giulietta.
Jonathan Tetelman and Vida Miknevičiūtė lead the cast in the Deutsche Oper's highly anticipated new production of Giordano's Fedora – a verismo gem that mixes elements of international espionage and intrigue with grand romance, all set to music of irresistible melodic power. Continuing his series of acclaimed stagings of early 20th-century Italian operas at Deutsche Oper, Christof Loy promises to bring a characteristic mixture of intelligence and style to Giordano's work, while the world-class cast – conducted by John Fiore – guarantees a feast for lovers of great singing. A gripping operatic treat for aficionados and newcomers alike.
Webers great heroic-romantic opera Euryanthe premiered in Vienna in 1823. It concerns the wronged Euryanthe, victim of a plot to establish her unfaithfulness, but her love imbues her with colossal strength which Weber characterizes with acute psychological insight. Through-composed and dispensing with spoken dialogue, its chivalric plot provides opportunities for a series of arias, ariosos, duets, cavatinas and choruses that contain some of his greatest operatic music. This production employs the operas original version with a few, very minor cuts.
Franz Schreker’s career was cut short by the events of 1933 in Germany but he achieved real fame with his operas, and the huge success of Der Schatzgräber (‘The Treasure Hunter’) in the 1920s was the high point of his career. In a complex and ultimately tragic tale of destructive greed, desire and toxic social hierarchy, the innkeeper’s daughter Els is forced to confront the consequences of her murderous intent in what conductor Marc Albrecht considers ‘a work of exceptional quality, concentration and significance’. Following the huge success of Korngold’s Das Wunder der Heliane (Naxos DVD 2.110584–85 / Blu-ray NBD0083V), director Christof Loy continues his exploration of strong female characters and neglected 20th-century masterpieces with this highly acclaimed Deutsche Oper Berlin production.
In the ethereal afterlife, there is no time or space. The shades, freed from their earthly cares, celebrate the greatness of the Goddess of Truth. Shrouded in eternal glory, she sits triumphant, flanked by Beauty and Goodness, while at her feet lies Suffering in her mantle of blood. In the midst of this chorus of praise, a discordant lament rises: “To live! Who will give me back the thrill of life?” The voice belongs to Guercœur, who died in the prime of life after falling in love with Giselle and freeing his people from a tyrant, assisted by his friend Heurtal. Unable to rest, Guercœur begs to return to his fleshly form. Truth warns him: two years have already passed on Earth where nothing lasts forever. His fall from paradise could be brutal…
It’s Christmas in the Ukrainian village of Dikanka and the blacksmith Wakula is unhappily in love with Oksana, daughter of a landowner. She only wants to marry him on the condition that he gets her the Tsarina's golden shoes. In desperation, Wakula turns to the devil to fly him to the capital and help him procure the shoes. Will this be enough to win the hand of Oksana?
Christof Loy continues his exploration of early 20th-century opera at the Deutsche Oper Berlin with Respighi's rarely heard La fiamma. Imposing choruses and sweeping tableaux drive a drama of suspicion, desire and public frenzy, heightened here by Carlo Rizzi's musical direction and a cast led by Olesya Golovneva and Georgy Vasiliev. Premiered in 1934, the work mirrors a society sliding towards authoritarianism, its show trial carrying an unsettling emotional charge. Respighi's score moves beyond the colours of the Trilogia romana, blending impressionist shimmer, Russian influence and a renewed fascination with Italian Renaissance sound worlds.
The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles
Four people at a crossroads in their lives who meet by chance in Amsterdam. The city becomes their magical dream world, seemingly offering opportunities and answers to a key moment in their lives.
Les vêpres siciliennes, like the similarly epic Don Carlos, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily's 13th-century uprising against French rule, in Christof Loy's staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet The Four Seasons.