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Mysterious blind man Mata Malikat arrives in a small village and disrupts the peace, starting with killing one of the village's most respected fighters. The fighter's son then tries to avenge his death.
Barda the Blind (Ratno Timoer) while at Borobudur, is accused of being the murderer of Bimo Adirekso (Wahid Chan). The children who were killed, Subala (Adang Mansyur) and Subali (Adji Agus), did not care about people's accusations. They fight over their parents' inheritance until a big fight breaks out, which is useless, because the will and the treasure map are in the hands of Sekarningsih (Nuke Maya Saphira), also Ben's daughter, and her boyfriend, Bambang Permadi (Rachmat Kartolo). Selendang Mayang (Rita Zahara) stole the treasure, then it was stolen by another person, all the way to Dieng. Here the battle takes place. This film is presented in a mystery style.
Barda Mandrawata (Ratno Timoer), also known as The Blind Man From the Ghost Cave, is in the Sarpala area which is being hit by a disaster created by the vile magician Tarub. After finishing his business, Barda intends to leave but is given Narisa, a child who is to be returned to his biological parent, Labone, the leader of Sarpala who has fallen in love with Barda despite being betrothed to Latongga (Torro Margens). Meanwhile, Latongga himself is being chased by Radina (Mila Karmila), a female child from the ascetic Sakti. Narisa is wanted by many warriors from various circles, including Tarub, and once he escapes from Barda's hands, Barda is forced to look for him.
A psychopathic and brutal Indonesian despot terrorizes and exploits the rural population. The cruel warlord demands sacrifices from the villagers, slaughtering them when they don’t meet his demands.
A warrior and his monkey companion put an end to the reign of a psychopathic and brutal despot after entering a village under his thumb.
A scorned pregnant woman gets decapitated during a black magic battle with her ex-boyfriend, Andre. Her spirit then possesses the body of Andre's new girlfriend, turning her into a blood-sucking seductress.
The King of Parun becomes angry at his adopted son, Tun Utama, who turns down every princess as his future fiancée. So his Majesty orders Tun Utama to find his own choice of a girl. If that fails, he will be severely punished. Tun Utama then returns with a beautiful princess, Siri Syarifah. The beauty of Siri Syarifah captivates even the King himself. They all try to find a trick to separate them. The King pretends to be sick and can be cured only after eating the liver of a bearded weasel. Tun Utama is assigned to find the animal that doesn’t exist. During the absence of Tun Utama, Siri Syarifah remains faithful. She does not react to the persuasions from the King. When Tun Utama fails to accomplish the mission and would end up beheaded, Syarifah manages to save her lover by bringing the bearded weasel in a trunk, hidden inside is a man, a member of the royal family in the palace of Parun.
After being bitten by a cursed white snake, a model turns into a demon-possessed seductress who causes the death of anyone who sleeps with her.
Farm workers, Ateng and Iskak, have won a lottery that makes them millionaires overnight. They desert their village for Jakarta. One day, they meet Vivi, the daughter of a hotel CEO, Eddy Sud, and she introduces them to him. He manages to convince Ateng and iskak to return to their village.
This time Ateng and friends are dressed in costumes recalling Baghdad’s sultanate. The story is similar to Ali Baba and the 40 Thieves. The poor Ali Baba becomes suddenly rich after finding a treasure in a cave that actually belongs to the King of Robbers. After hearing about the treasure, Ali’s brother goes into the cave to take some but forgets the magic password and is trapped inside. When the King of Robbers arrives, he learns that Ali Baba has found out their secret. So a duel ensues between Ali Baba and the King of Robbers, and in the end the police apprehends them. Ateng and friends are hilarious and the Baghdad set and costumes bring back the nostalgia of old stage performances.