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A 13-part documentary series by Chris Marker examining how ancient Greek ideas continue to shape modern Western thought. Each episode centers on a single Greek word—such as “democracy,” “philosophy,” or “mythology”—through conversations filmed in cities around the world. Combining symposium-style discussions with archival footage and visual motifs of the owl, Marker creates an expansive reflection on the enduring legacy of Greece.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
This show sits at a crossroad of radio and cinema. The viewers are invited to tell their dreams and if they are selected, the authors "oniromancians with camera" put them in scene (hence the dream contest).
A documentary look at striking workers in a textile plant in Besançon, France, centering on interviews with workers about their motivations for becoming involved with the union and the struggles of their day to day life.
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
A document of Perestroika, to be viewed as (nearly) unedited rushes of a voyage to Moscow, preserved by compatriot Costa-Gavras. Says Émilie Cauquy of the French Cinémathèque, "Astonishing unpublished travel diary, shot by Chris Marker in analog video on the occasion of a screening of L'Aveu in Moscow in 1990 [...] Armed with his camcorder, Marker films and records the comments, takes on the role of contemporary capital according to this unique ethnographic method that he has perfected".
Chris Marker’s The Case of the Grinning Cat (Chats perchés) follows the appearance of the yellow M. Chat graffiti across Paris in the early 2000s, using it as a lens to reflect on art, protest, and politics in the post-9/11 era. Blending street imagery with footage of global and local unrest, the film serves as a playful yet pointed companion to Marker’s earlier A Grin Without a Cat.
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.