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Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.
With ‘Origen. La semilla de los tiempos’, the Accademia del Piacere, the Ballet Flamenco de Andalucía and the Teatro de la Maestranza take audiences on a musical dance journey somewhere between tradition and the avant-garde. Baroque music enters into dialogue with flamenco, travelling through the history of Andalusia in a story that gives pride of place to emotion, memory and scenic beauty.
Swedish choreographer Johan Inger won the Benois de la Danse 2016 for his striking new choreography set to the beloved music of Georges Bizet, arranged by Rodion Shchedrin. Inger returned to the source novel by Prosper Mérimée for inspiration, framing the action through the eyes of a child observer and stripping the story to its universal themes of love, passion, and the consequences of violence. Kayoko Everhard shines as Carmen, supported with aplomb by Daan Vervoort as Don José and a superlatively polished supporting cast — including the dancers of the Spanish National Dance Company—in this alluring production from La Rochelle’s La Coursive. Curt Allen Wilmer’s dynamic set design and Tom Visser’s expert lighting highlight the drama of this treasured tale as you’ve never seen it before!
Madrid's International Festival of Sacred Art (FIAS) offers a uniquely diverse program at various venues across the Spanish capital every year. An opportunity to enjoy the work of high profile artists as well as new names, works and various other performances. El Gran Teatro del Mundo opens the festival with a French composer: Marc-Antoine Charpentier.
Filmed at Seville’s Teatro de la Maestranza in Seville, Humo, (smoke) combines dance and song in a tribute to the 19th century cigar makers who also inspired the character of Carmen from the famous opera. Choreographer Rafaela Carrasco creates portraits that reveal diverse lives that often contradict clichés of the past and present.
Madrid's International Festival of Sacred Music (FIAS) offers a unique international program every year at various venues around the Spanish capital. The venue for this concert is the San Miguel basilica for a performance of Tomás Luis de Victoria's Tenebræ Responsoria by Cantoría, a young Spanish ensemble with an international following.
Madrid's International Festival of Sacred Art (FIAS) offers a uniquely diverse program at various venues across the Spanish capital every year. An opportunity to enjoy the work of high profile artists as well as new names, works and various other performances. Here, Soprano Ana Vieira Leite and the Concerto 1700 ensemble perform Handel's German Arias.
Klementia, who has been a nun for several years, is troubled by an apparition of Saint Susanna. The latter, performed by Anna Caterina Antonacci, lifts the veil on a carnal world she finds disturbing. Encouraged to confide by this awakening, Klementia recounts the passion of a young girl in the convent who many years before had stripped naked and embraced the body of Christ on the Cross. Darkness and light, life and death, body and soul all struggle and dialogue in this short, smouldering work in which the biblical figure of Susanna takes on an unparalleled psychological dimension.