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Three astronauts are sent on a mission to destroy the moon.
Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.
In a small coastal town, a group of people isolated during the COVID quarantine seek solace and meaning in poetry in the face of death, while clinging to the fantasy of rebuilding their shattered lives. The film intertwines reality and dreams, exploring cinema as a refuge and reflecting on human nature and the power of art to transcend despair.
For many years, director Fernando Spiner and his friend, the poet Anibal ZaldÃvar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.
The story develops into a lonely town in the middle of the desert, where the only person awake, a man in a suit, is always trying to start a car, but he never can. One day, after walking throught the desert for a long time, a woman and a kid end up in this town. The man in a suit offers them to stay the night. The days go by, and they almost don't trade any words between them. The town is always empty, but functioning. They just pass the nights and days inside, dancing without music, playing videogames or walking on the street, under the neon lights of empty shops, making calls without any answer.. The title (Ballad for a Kaiser Carabela) refers to the first family car manufactured in series in Argentina.
In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.
A photographer witnesses a murder in front of his apartment and records the incident with his camera. A glimpse into Argentine life during the military dictatorship.
A film adaptation of the TV series "Los siete locos y los lanzallamas" by Roberto Arlt.
A former soldier reunites with his comrades, who are unaware that they are dead.
Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.