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Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.
A collection of short experimental horror films, some well-known, some not.
Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.
An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."
A surreal meditation on hopelessness and pointlessness as guided by the Arthur Frain/Merlin character from Boorman’s “Zardoz”.
A talented, but unbalanced girl named Foxfur is thrown into a philosophical adventure beyond time and space. Her first goal is to get her friend Khris to drive her to a book store where she's hoping to find some answers, and there she also meets two UFO theorists. She then hears about this thing called The Dead Zone, and she fears that the world she knows might very well be that zone.
"Spacedisco One" is a sequel to both "Logan's Run" and "1984" at the same time with Orwell's Winston Smith running into the daughters of Logan 5 and Francis 7 as they're busy running about a park firing off laser beams at one another. It's not until they meet that Winston realizes they're actually all fictional characters in a movie. When not discussing "Battlestar Galactica" with Stargirl 7 and Francis 8, Winston makes frequent visits to the Ministry of Truth - Universal CityWalk.
"In the stillness and the dark before time ever began," opens a faux-trailer for APPLE, "there was a different incantation"; Maverick filmmaker Damon Packard, "the hideous director of DAWN OF AN EVIL MILLENNIUM," tells the story of Apple, an elfin girl who matures into a sorceress of the dark arts named Orb. An unfinished Super 8 micro-epic, APPLE's twenty-seven-minute rough-cut offers a glimpse into a fantastic world.
Tales of the Valley of the Wind composes an experimental love-letter to the spiritual world of Hayao Miyazaki, re-figuring [Nausicaa] into lush live-action scenes with period costumes, horses, swordplay, and, er...puppets. All on a tiny budget, Packard implements his signature experimental touch to create a very unique fan-film indeed.
An omnibus of tales of horror and adventure by the master of suspense Damon Packard