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When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.
Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.
Tú y yo is a Mexican telenovela created and produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from September 4, 1996, to March 20, 1997. Written by Alejandro Pohlenz, with story development by Verónica Suárez, the telenovela stars Maribel Guardia and Joan Sebastian. The story follows Estela Díaz-Infante and Tomás Santillana, whose romance blossoms despite the many conflicts surrounding the wealthy Santillana family. As they struggle to build a life together, they face jealousy, betrayal, family rivalries, and the schemes of those determined to keep them apart, testing the strength of their love and loyalty.
Niña de mi Corazón is a teen Mexican telenovela produced by Televisa and Telefe adapted from Pedro Damian's 1997 Mi Pequeña Traviesa, that premiered on March 8, 2010 and ended on July 9, 2010. Damian was also the producer of this telenovela.
The story follows the life of Diana, a pre-teen who lives in a neighborhood called Buenaventura. Diana and Christian, who has just moved to Mexico due to his parents' divorce, quickly become best friends, despite their families hatred for each other. However, the neighbors of Buenaventura are in danger of losing their homes, their school and much more, because the evil old Severiano plans to tear down the neighborhood and build an enormous shopping mall in its place. To accomplish his plan, Severiano is willing to resort to any means, and will provoke a series of disasters to drive the inhabitants away.
Doña Bárbara is a Spanish-language telenovela produced by the United States-based television network Telemundo, Sony Pictures Television International and RTI Colombia. Edith González and Christian Meier star in this adaptation of the 1929 novel by Venezuelan author Rómulo Gallegos.
Alice is an American sitcom television series that ran from August 31, 1976 to March 19, 1985 on CBS. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start her life over again, and finds a job working at a roadside diner on the outskirts of Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner.
Well-educated and upper middle class, Maude Findlay is the archetypal feminist of her generation. She lives in suburban Tuckahoe, New York, with her fourth husband, Walter, their divorced daughter, Carol, and grandson Phillip.
Passengers who search for romantic nights aboard a beautiful ship travelling to tropical or mysterious countries, decide to pass their vacation aboard the "Love Boat", where Gopher, Dr. Bricker, Isaac, Julie, and Captain Stubing try their best to please them, and sometimes help them fall in love. Things are not always so easy, but in the end, love wins.
Wannabe writer Betty Suarez is a plain girl from Queens, who is smart, hardworking and savvy but lacks a fashionable sense of style. When publishing mogul Bradford Meade puts his son Daniel in charge of Mode magazine, he hires Betty to be Daniel's new assistant -- mostly because he knows that she may be the only woman in Manhattan with whom the younger man won't sleep.