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Alma de Hierro is a 2008–2009 Mexican telenovela produced by Televisa. It is a remake of the Argentinian soap opera Son de Fierro, with the character's names rewritten and adapted to the Mexican audience. The main actors were Blanca Guerra, Alejandro Camacho, Christian Vega, Flavio Medina, Lisardo and Alejandra Barros, with Jorge Poza, Zuria Vega, Adamari López, Angelique Boyer, Eddy Vilard, Martha Julia and Luz María Aguilar playing supporting roles. The show earned 8 awards at the "TV y Novelas" award celebration, becoming the highest-awarded production of the 2009 season.
Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.
The Argentine author Mario Schajris wrote Cachito de Cielo, a Mexican telenovela produced by Roberto Gomez Fernandez and Giselle Gonzalez for Televisa. The start of the story is based on the movies "Here Comes Mr. Jordan" and Heaven Can Wait, produced in 1941 and 1978. Maite Perroni and Pedro Fernández star as the protagonists, while Rafael Inclán, Jorge Poza, and Esmeralda Pimentel are antagonists.
Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.
Raquel and Damián are happily married with two children. Destiny leads Damián to meet Carolina and feels an undeniable attraction towards her. Damián did not know that Carolina was already married to Santiago Álvarado, a construction architect with whom she has two children. When Raquel drops off her son Fede at school, she accidentally backs her car to Santiago's truck, and they realize that their sons know each other. Raquel volunteers to pay for the damages but Santiago refuses. Raquel insists and goes to the Álvarado home with Damián. The two couples become great friends. But the desire between Damián and Carolina is stronger than their marriage commitment and both decide to deceive to their spouses. Damián and Carolina have a terrible car accident. Rescuers only find a seriously injured Damián, and Carolina has mysteriously disappeared from the scene. During the investigation by the police, Raquel and Santiago learn that their spouses are lovers.
Like many women, Regina struggles every day for the welfare of her family, having to cope from the worn relationship with her husband to the rebellion of her teenage son ... but in her case everything is in sight, because she is the wife of Head of Government of the city and, as if that were not enough, an honorable senator, who always tries to do what is best for her fellow men. In the world of politics, a world where men build power at any cost, is Regina, who strives to improve the reality of people and impose ideals over power.
After causing the death of her millionaire husband Carlos, Catalina Creel, whose great beauty is only surpassed by her cruelty, will go to any lengths to secure her fortune and bloodline.
A group of young adults will spend their adolescence at the Elite Way School, where they will learn about love, life and live their passion for music.
A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.
Two women discover they were both scammed by the same man (who also got them pregnant). They form an alliance to take revenge.