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Just moments before his third wedding, Zahedi relates with utter sincerity and astonishing candor his obsession with prostitutes. He retraces his romantic and sexual history, including his ideological commitment to open relationships, that led to two disastrous marriages and several very pissed off ex-girlfriends.
A documentary record of the live event hosted by Video Store(age) on February 27 at Life World in New York City. The roasters included the following luminaries, trouble makers, and last-minute substitutions: Yung Chomsky, Lily Lady, Christian Lorentzen, Sharon Mashihi, Peter Rinaldi, Joe Swanberg, Onur Tukel, Pacho Velez, and Joshua Z. Weinstein.
Caveh persuades Mandy and their couples therapist to let him film their sessions.
Fragments from a would-be abecedarium: E IS FOR ELEVATOR, J IS FOR JUMP, K IS FOR KISSING, M IS FOR MAGGOT and S IS FOR STRANGER.
A real-life comedy about a filmmaker who takes a road trip to Las Vegas -- with his real-life father and 16-year-old half-brother, plus a crew of three -- in the hopes of proving the existence of God.
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
Independent Filmmaker Caveh Zahedi is trying to make a television show. He persuades BRIC TV, a Brooklyn non-profit Arts organization, to finance a television show whose premise is that every episode will be about the making of the previous episode. In the process of creating the show, everything can-and does-go wrong. The cast, a who's who of Brooklyn's independent filmmaking community, includes Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and Onur Tukel.
Caveh gets stoned but Alex Ross Perry doesn't.
When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.
Caveh Zahedi tells the story of a contentious encounter with a college security guard, a story about a moment's lapse into racism. The film attempts to shed light on the mental process by which racism becomes internalized.