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A short-lived weekly series based on the miniseries of the same name.
Lieutenant Rick Hunter and Sergeant Dee Dee McCall, now of the San Diego Police Department, must track down a group of women bank robbers who appear to be behind bars when the crimes occur, while simultaneously looking for an ex-con he put away who has just been released and is now on a vengeful crime wave.
In this spoof of TV cop shows, which served as the pilot to the subsequent short-lived series, a bunch of bumbling misfits and rejects from the police academy, all assembled under a straitlaced but dimwitted captain, fumble their way to success cracking a drug ring run by a blind mobster.
On enforced leave following a failed drug bust, LAPD Lieutenant Rick Hunter heads to San Diego, where he catches up with former partner Dee Dee McCall. But upon their reunion, Hunter and McCall become embroiled in a terrifying game of cat and mouse that has its roots in Russia.
2000 TV drama film about cops.
The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.
An annual awards ceremony recognizing excellence in film and television, both domestic and foreign, bestowed by the Hollywood Foreign Press Association.
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.
An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
Thrifty, folksy and cantankerous, Matlock charges a premium for his services but is worth every penny: This renowned attorney, always clothed in his trademark light-gray suit and driving his signature Ford Crown Victoria, has an uncanny knack for finding overlooked clues and exposing murderers in dramatic courtroom scenes.