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In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.
Earth. Wind. Fire. Water. Sacrifice. In Animal Kingdom a ritual carves a dimension that melds character, object, landscape and the very tactile makeup of the film itself into one mutating, symphonic mass of spell casting, storytelling, living and dying. An explosive account of cinema as witchcraft.
Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen and heard, are they even competent to offer a reliable report? The purpose of this film is to demonstrate that an effort to construct functions known not to exist may on occasion produce interesting frauds.
The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.
A journey into the dark visions of a small coastal town. Memories of the inhabitants or memories created by the place itself.
A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.
The second film in a two-part study of daily routines.
A silent film adrift in the lost rooms of an old house. A final letter to an old friend.
A compendium of home movies sewn into a fragmented nocturnal narrative on travel
Hole in the Head is an experimental feature film in which the protagonist re-stages his family's home movies in order to recall a traumatic event. Melding new with old technologies and a film-within-a-film structure, Hole in the Head proposes a hauntological discourse on autofiction, trauma and private ritual.