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Having escaped years of imprisonment, vampire warrioress Selene finds herself in a changed world where humans have discovered the existence of both Vampire and Lycan clans and are conducting an all-out war to eradicate both immortal species. Now Selene must battle the humans and a frightening new breed of super Lycans to ensure the death dealers' survival.
In 1946 Berlin, an American cop searches for his missing brother while helping a novice German policewoman fight the violent crimes engulfing the city.
Kahina Zadi, 32, a French police officer travels to Kiruna in Sweden to investigate the bestial murder of a French citizen. Together with Anders, a Swedish prosecutor of Sami origin, she begins an investigation. Soon new killings start to happen and the first victim turns out to be the tip of a very dark iceberg. The victims seemingly have nothing in common more than that they are all being killed in a well-planned and vicious manner. In their hunt for the truth, both Kahina and Anders are forced to deal with their own past that they have repressed. A personal journey through a painful past becomes the key to succeed in preventing the violent killings that affects the small mining community of Kiruna.
A female forensic psychiatrist discovers that all of one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.
Snapphanar is a Swedish miniseries which aired in three parts on Sveriges Television during Christmas 2006, directed by Måns Mårlind and Björn Stein. The historical drama is about the Snapphane peasant rebel movement which fought against the Swedish rule of Scania in the 17th century. The "Snapphanar" was a rebellion people, who fought secretly for Denmark during 1660-1700. The miniseries were criticised by historians due to a perceived lack of historical accuracy. The Scanian nationalist attitudes portrayed in the series did not exist in the 17th century, and the term snapphane, which is used for self-identification in the series, was in fact a derogatory term used by Swedes.
Pål dreams about becoming successful with his music, but he has one major obstacle: himself. He's a diamond in the rough, and the only things greater than his musical talent are his obsessions, which constantly get him into trouble. We follow Pål on an emotional journey one summer in Gothenburg where he is thrown between passion and deceit; love, reconciliation and deliverance.
John and Ninni – both heirs to their own individual amusement parks – fall in love amidst the whirling world they both inhabit. A forbidden love and a war between their two families puts their love and loyalty to the test.
Nick Cave. Joakim Thåström. Today they are seen as rock gods, but in 1971 they were just teenagers. This is a film about friendship, love and creativity, but above all it’s about the limitless power of youth and how we through lust and curiosity together with our pals unconsciously forge our future selves. Thåström is a harsh existentialist while Cave is a struggling agnostic. Thåström is unbrushed and political and Cave a romantic dreamer. Our young heroes influence each other, touch on philosophies and pop culture, and blend it with a typical teenage day which mainly consists of how to skip school and get more beer and how to make the girl of both their dreams fall madly in love with them.
DD is a smug fellow, almost 30 years of age, who can manage all by himself. At least that's what he thinks. However, a strange woman - Lova - enters his life, hunted by evil men who want to hurt her. Against his will, DD is forced into a series of horrific events.
A young man is being bullied by the neighborhood gang in the Swedish projects of Stockholm. But with the help of an alcoholic former martial arts champion he learns the art of Disco Kung Fu to better his situation.