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The mishaps of Chavo, an 8-year-old Mestizo-Latino American orphan boy who lives in a village. Together with Quico, Chilindrina, Ñoño and La Popis, Chavo experiences a series of humorous entanglements.
Although he always wanted to become a professional soccer player, El Chanfle has settled for being the props boy and water boy for Mexican soccer's Club América, whose coach they both have trouble getting along with because of the Chanfle's heightened sense of honesty and cleanliness on the court, something the rigid coach does not share. When he is asked to cheat during a game he refuses and is fired from his job, but his friend, the team doctor will try to get him back. At the same time, his wife Tere announces to be pregnant, and trying to sell a gun in order to make money for their future, unintentionally scares a old man, Chato, with it, who now seeks revenge.
A cap, a barrel, and an eight year old boy surrounded by his friends from the neighborhood have been the essential elements for the entertainment for millions of views around the world. Created by comic actor Roberto Gomez Bolanos, El Chavo del 8 made its mark on Mexican Television and has left us with everlasting memories of entertainment for our families. Its sketch comedy format appeals to young and old alike. El Chavo del 8 still airs in syndication all over Latin America.
Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.
When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.
A woman who falls in love with a dashing younger man, when her marriage collapses around her.
Victoria's life is perfect. She is a famous designer, mother of two and the wife of an actor. But she suffers the absence of her daughter Maria, who was separated from her when she was a little girl.
Vivo Por Elena is a Mexican telenovela starring Victoria Ruffo and Saul Lisazo with the antagonic roles of Ana Patricia Rojo and Sebastian Ligarde. The telenovela aired on Univision in 1998. The theme song for the telenovela was Vivo Por Ella, sung by Andrea Bocelli with a duet by Marta Sanchez. The telenovela has been repeated several times on different channels since its original airing.
Yulissa Torres-Quintero is a beautiful young woman from an upper social class who has been orphaned at a very young age; For this reason, she and her brother Alberto were raised by their cruel grandmother, Doña Paula Garza vda. de Torres-Quintero, who pretends to be sick to manipulate her grandchildren. After several years, Paula is ruined and penniless, so she decides to mortgage all her assets to the landowner Ignacio Aguirre, owner of the Arroyo Negro hacienda, as a last resort to survive and avoid poverty.