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Empty commuting spaces. Invisible human beings. The homelessness in São Paulo, the land of drizzle.
A detailed dramatization of historical events during the time of the Revolution in Mexico. Using never-before-known historical documents, details about what happened during the period from 1910 to 1928 are revealed.
A famous singer is given an opportunity to live in anonymity when he stands in for a masked lucha libre wrestler. But hot on his trail is a tabloid journalist who is out to destroy his career... and steal his heart.
In a small town in northern Mexico, where two drug cartels rule, the young man Lupe embraces his dangerous fate. He transforms into Coyotl, a mythical creature that is half man and half beast. With this transformation, Lupe wants to become the protector his people so desperately need.
For the Navarro family, appearances are everything. But after the sudden death of Alberto, the family patriarch, their carefully constructed façade begins to crumble. Doña Telma takes control of the family fortune and reputation while struggling to contain the conflicts among her children, whose betrayals, ambitions, and reckless decisions bring them dangerously close to crime. Amid secrets, deception, marriages of convenience, and forbidden relationships, the Navarro family is drawn into a spiral of chaos. Yet Doña Telma’s greatest challenge will be the progression of Alzheimer’s disease, a silent threat that could erase not only her memories, but also the secrets holding her family together.
The series dramatizes the life story of Mexican superstar singer Luis Miguel, who has captivated audiences in Latin America and beyond for decades.
In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.
When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.
This dramatization depicts the life -- and loves -- of Venezuelan Gen. Simón Bolívar who helped liberate several Latin American countries from Spain.