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Freezer van driver Taqdeer spirals into a dark game of destiny after he finds the unclaimed dead body of a woman in his truck.
Set in the aftermath of a family patriarch’s death, Gulmohor explores the tangled web of family secrets, inheritance disputes, and emotional conflict. As hidden truths surface, the family faces growing internal tensions, forcing them to confront unresolved traumas and betrayals.
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In this omnibus, 11 Bangladeshi filmmakers create a love letter to the city of Dhaka. From young girls looking for a drink in a dry town to a bank scammer's attempted murder to a plumber creating a refugee crisis, the city co-stars every time.
Three bachelors living together and an unmarried girl living with her worried mother become part of a series of interesting events as one of the bachelors and the girl start to meet each other, but always without the chance to talk.
When a family gets together to divide their inheritance after their father’s death, a child gets kidnaped and the ransom asked is equal to the sum of their inheritance. The crisis unearths shadowy secrets, simmering conflicts, and shocking truths which were buried behind the family’s public image.
On a foggy winter journey, the Bonolota Express carries strangers burdened by secrets whose lives begin to collide within the train’s confined corridors. As the night unfolds, personal and political crises erupt, exposing hidden grief, moral decay, and moments of unexpected compassion amid chaos and revolt. By dawn, the train moves on, leaving its passengers irrevocably changed by a single journey where illusions collapse and human truths emerge.
Sakin Sarisuri, also known as Shakin Sharishuri, is a Bangladeshi telenovela written by Brindabon Das and directed by Salauddin Lavlu. The 106-episode telenovela started airing on Channel i on January 27, 2009, and has yet to finish.
A group of quirky puppets team up with their human friends to teach little ones important values through music, art and dance.
Four women are pushed to their breaking point in Dhaka’s underbelly, where the only way to survive systemic exploitation is to stop being the prey and start being the threat.