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A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.
On November 1, 1968 were found dead bodies of two people, a man and a woman in apartment number 13 of the C / Cuenca 78, Valencia. She was Emilia Catalina Arguelles, better known as Gracia Imperio. The news of his death had a big impact on the city, as it was an artist of great triumphs in Spain, but mainly in the city of Valencia. 40 years later, is an investigation of the facts by witnesses and friends of the victims to try to clear up the mystery surrounding the case of death of the famous starlet and her young lover, while analyzing the social conditions of the time.
Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.
After more than 75 years, Vicente Montejano tells us first-hand about his experience of more than 14 years in the Russian Gulag after the end of the Spanish Civil War.
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
An Andalusian duchess has the dilemma of what to do with a grove, whether to convert it into a natural reserve or to make a luxury urbanization. The duchess, who is torn between her aristocratic privileges and a social commitment that has cost her more than one dislike in the past, must make a decision about her lands, to which she wants to get some money without harming the people. On the other hand, An ambitious Basque financier, Antónón Ibarrondo, intends to build a luxury urbanization in the Marbella style in the grove. Around the duchess, the businessman, environmentalists and other members in the conflict, problems begin to arise and everything will be decided in a referendum, convened with the idea that it is the people who decide, which coincides with the annual celebration of the Pilgrimage del Pueblo.With a cast "
The service staff of a luxurious Catalan farmhouse has prepared a large banquet because the arrival of the guests is expected. Everything is ready, but nobody arrives. Then, the housekeeper and the other servants will occupy for a few moments the place of their masters and, like them, they will behave despotically.