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Lhadj Benmoussa, a rich jeweler, is married to several wives and appear to be a good manager of the three concubines, except when Houda, his third wife, who is young and gracious, is repudiated for the third time.
The film is considered one of the first Moroccan cinematic tapes that tried to convey Moroccan reality with its traditions and customs to the cinema screen in a bold way, especially the issue of sex in Moroccan society, an issue that cinematographic works have always avoided before.
An old journalist, Omar, remembers the 70s and Salim a young 35-year-old journalist who had dared to investigate a corrupt senior state official. Omar knows it's a fight lost in advance but Salim refuses to let go. He resists because his duty as a journalist and his contempt for the untouchables who believe themselves above the law incite him to take all risks. But one day, the newspapers announce the death of Salim, cowardly murdered by a burglar. In short, a simple fact.
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After years of believing, I find mercy in a toxic marriage. Between the two of them in revenge she writes her destiny, summoning the mercy of God that heals her and each other.
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