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When Victor attempts to seduce Elena, all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body... and his desire for vengeance on the man who put him there. After his release and still madly in love with her, Victor will stop at nothing to win her over even if means revenge, for Elena has married David, the cop who sent him to prison!
This drama concerns a seven-year-old boy, Pepe Luis (Lucas Martin, as the younger Pepe and Paco Rabal Cerezales as Pepe at ten) who lives through the rise of Franco and the ensuing years under the fascist dictator. Presented from the perspective of the young Pepe, the Civil War and Franco are irrelevant to his own concerns: daydreaming about a pretty girl he likes, fighting with other boys, helping the priest at a funeral service, and similar activities. Pepe lives with his uncle and grandparents, and whether he is aware of it or not, the war impinges on their lives in several ways. The title of the film derives from little Pepe's contention that God is not responsible for the war, just some "bastard brother" of the Creator.
In 60s Extremadura, Paco el Bajo and his relatives work during day in a farmhouse, and silently suffer submission to their masters, who exploit them and treat them almost like animals. Meanwhile, Paco dreams that one day his children will be able to study.
For personal and humanitarian reasons, Edoardo, a Ligurian sea captain, agrees to run a shipment of arms to Bosnian rebels for a shady Russian in Toulon who calls himself Riffaud. Edoardo's lover Clara wants him to quit the sea and Riffaud's wife warns Edoardo not to trust her husband, but Edoardo takes the job anyway. Sailing up the Adriatic, the crew threatens mutiny when they learn they must dock in a war zone. Once in port, little goes as Riffaud promised, and Edoardo must travel with a translator to the rebels' mountain stronghold to get payment for the crew. The war is all around them as Clara waits at home and the translator begs passage to Italy.
Bella Cepeda is a woman whose beauty is transformed into condemnation when a powerful businessman kidnaps her to make her his concubine. After achieving his freedom and returning to his village, he finds rejection from his community and distrust of his true love.
Moria Casán transforms her life story into a symbolic spectacle of fame, controversy and ceaseless reinvention.
This drama reveals the difficult rise to fame of the Mexican-American singer Jenni Rivera, from her past of abuse to success as a band leader.
The Reyes-Elizondo's idyllic lives are shattered by a murder charge against Eric and León.
When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.