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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
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In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.
A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.
A collage of memories, fictional stories, biographies, dreams and missed opportunities, which in their entirety represent the idea of Munich.
The Munich student Albert is haunted in his daily life by the disturbing claim that his doppelgänger is walking around the city. The political topic of surveillance, a subject that has often been discussed in the shared student apartment, also becomes intertwined with Albert’s perceived threat. Under the rebellious slogan “Make Yourself Unrecognizable!”, the roommates have been developing little sabotage actions. For Albert, whose fear of control and loss of identity is already growing, the personal and political levels merge. His fear of loss of control and identity develops into a journey between mistrust, identity, and the question of whether reality and paranoia can still be distinguished from each other.
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters -- one who became his wife, and the other, his biographer.
Josef Bertholt is head of operations of the Munich Police's drug squad. When his wife Lily is the victim of a hit by drug dealers, he becomes even more obsessed with his work.
In 2020, the author Anatol Regnier published Jeder schreibt für sich allein, a book that examines the life and work of writers in Nazi Germany. In collaboration with Regnier, Dominik Graf, Constantin Lieband, and Felix von Boehm have adapted this book into a polyphonic essay film of the same name – almost three hours in duration – that takes a meticulous look at the contradictory biographies of Hans Fallada, Gottfried Benn, Erich Kästner, Ina Seidel and Will Vesper.