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A faulty computer causes a passenger space shuttle to head straight for the sun, and man-with-a-past Ted Striker must save the day and get the shuttle back on track – again – all the while trying to patch up his relationship with Elaine.
The tumultuous TV newsroom world of overbearing regional news director George Findlay, who is solely motivated by casualty statistics which will improve his ratings.
In this comic take on big-business wheelings and dealings, an ambitious senator's son moves up the corporate ladder through undeserved promotions. But against his better judgment, he falls for a woman (the chairman's daughter, no less) who's leading a protest against the company's shady business practices.
Award-winning writer and producer Ken Finkleman (The Newsroom) returns to television in Good Dog, his highly anticipated new comedy. Starring Finkleman and Lauren Lee Smith (CSI; The L Word), the sharply ironic series focuses on the life of George, a self-absorbed, neurotic TV producer. After hooking up with Claire, a gorgeous model half his age, George negotiates his new reality dating a younger woman by pitching a reality show about his high concept, highly coveted, seriously volatile life. But when network executives insist that Claire move into his house, George is forced to escalate the relationship and consequently, his fears of commitment. When the pitch and his life go sideways, he frets, vents and reevaluates by soliciting questionable advice from his best friend Doug (Jason Weinberg).
William Bowman is a small town boy with small town dreams. And like any average teenager, when approached with the subject of his future, Bowman would often retreat into the safe recesses of his mind. When a concussion seemingly sends William to an uncertain future, what follows is a series of hilarious capers from William’s status as an average teenager to a nationwide media phenomenon. Is William a product of bad luck? Good luck? Or is his future subject to miracles and unlikely circumstances?
It's a strange movie that you have to watch beginning to end, or you'll find yourself completely lost. Based on the Toronto-made TV series "Newsroom," this made-for-TV movie has many well-recognized Canadian actors and comedians. It's a modest comedy that has its "short chuckle of laughter" moments, but the real highlight is similar to the highlight of 12 Angry Men. They obviously endeavoured to make the acting look as real and natural as possible when making this show, and most of the entertainment comes from listening in on their conversations and being convinced by the good acting. This is the similarity to 12 Angry Men.
Unseen for decades, 1980 is Ken Finkleman and Rick Moranis’ enormously funny CBC pilot that was way ahead of its time. A send up of a current-affairs show, 1980 pokes fun at subjects ranging from the current state of the Canadian film industry, academics, the student radicals of the 60s to Hollywood depictions of the Holocaust. Steven Kampmann stars along with Finkleman and Moranis. Also featuring Toronto salesman Phil Givner, Andrew Gilles, Caroline Yeager and the late comedy producer, Joe Bodolai. 1980 shown courtesy of CBC.
A former professional baseball player, along with his preteen daughter, moves into New York advertising executive Angela Bower's house to be both a housekeeper and a father figure to her young son. Tony 's laid-back personality contrasts with Angela's type-A behavior.
The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.
Comic Garry Shandling draws upon his own talk show experiences to create the character of Larry Sanders, a paranoid, insecure host of a late night talk show. Larry, along with his obsequious TV sidekick Hank Kingsley and his fiercely protective producer Artie, allows Garry Shandling and his talented writers to look behind the scenes and to show us a convincing slice of behind the camera life.